Based in 1997 by Alisa Stars and Bob Scarpelli in collaboration with Spike Lee, the Black Views program on the Chicago Worldwide Movie Pageant has been highlighting movies from the African and African American perspective for over twenty years. This system premiered “I Will Comply with” by Ava DuVernay in 2010, and has highlighted works by Lee Daniels, George Tillman, Maya Angelou, Ousmane Sembene, Abderrahmane Sissako, Steve McQueen, and plenty of extra. It additionally options an annual tribute—previous honorees have included Viola Davis, Forest Whitaker, and Sidney Poitier, together with panel discussions. Whereas 2020 has been a special 12 months for the Chicago Worldwide Movie Pageant, the Black Views program stays a necessary a part of the expertise, even when a lot of it’s digital this 12 months.
Highlights this 12 months within the Black Views program embody “Dangerous Hair,” author/director Justin Simien’s long-awaited follow-up to “Expensive White Individuals.” A much-longer minimize performed at Sundance, which we lined right here, saying, “There are imagery and concepts in it that I received’t neglect for a very long time, and I can’t wait to see how individuals reply to its insane ambition and memorable imagery.” The Drive-in screening of “Dangerous Hair” is sold-out, however for those who can’t watch it as part of CIFF, it will likely be on Hulu on October 23rd, and we’ll write about this daring film extra extensively then.
One of many greatest occasions of each movie pageant that books it this 12 months is the assertion made by the directorial debut of Regina King with “One Evening in Miami.” Tailored from the award-winning play of the identical identify, it imagines an evening in Florida by which Cassius Clay, Malcolm X, Sam Cooke, and Jim Brown find yourself in the identical lodge room, discussing race, movie star, and the duty of when the 2 intertwine. It’s a good movie with implausible performances from its quartet, notably Kingsley Ben-Adir. Learn extra about it right here.
One other spotlight making the journey from Sundance to CIFF is “Farewell Amor,” from Tanzanian-American director Ekwa Msangi. The movie premiered in competitors at Park Metropolis, the place Nick Allen praised its “beautiful tenderness” and wrote how it’s “comprised of three wonderful performances and plenty of quiet conversations.”
Streaming as part of the Black Views program is the most recent documentary from the legendary Sam Pollard, who makes use of fully archival footage to inform the story of “MLK/FBI,” a research in how the U.S. authorities sought not solely to besmirch Reverend King however to carry again the whole protest motion within the course of. Writing about this wonderful movie as part of digital TIFF protection, we mentioned, “It’s a finely tuned, completely edited movie, one which builds to a remarkably present chapter in regards to the energy and want for authorized protest, and what it says in regards to the failures of a rustic that doesn’t encourage it.”
Luchina Fisher’s “Mama Gloria” has that connection to Chicago that usually makes for essentially the most exceptional CIFF experiences. It’s the story of Gloria Allen, Chicago’s Black transgender icon. In his fest preview, Peter Sobczynski wrote, “Her story, which she recounts intimately that’s each shifting and entertaining, serves as an efficient solution to see how the neighborhood as an entire has grown and developed since she first emerged within the Sixties.”
Different movies within the Black Views program embody “Evening of the Kings,” “The Particular,” “Sylvie’s Love,” and a sequence of quick movies. Discover out extra right here.